Rock Machine Catherine 70-27
640,00 €
| Veľkosť rámu |
S |
|---|---|
| Odpruženie | , |
| Materiál rámu |
Alloy Al-6061 T6 Custom tubing, Fun Ride Geometry, Shark Spine EVO2 27.5, BB BSA 73mm, OLD 135×9, Disc Brake Post Mount, Fender&Kickstand Ready Dropout, Replaceable RD Hanger, Inner Cable Routing |
| dojazd | |
| Výrobca |
Rock Machine |
| Pohlavie | |
| Farba | |
| Model |
Catherine 70-27 |
| Modelová rada |
Catt |
| WEIGHT |
14.30 kg |
| BOTTOM BRACKET |
SHIMANO BB-UN101 122.5mm, BSA, shell 73mm |
| HEADSET |
FSA No.10 Semi-Cartrige, 1-1/8“ |
| SHIFTERS RIGHT |
SHIMANO SL-M315-8R RapidFire Plus, 8-speed |
| SHIFTERS LEFT |
SHIMANO ALTUS SL-M315-2L RapidFire Plus, 2-speed |
| REAR DERAILLEUR |
SHIMANO ALTUS RD-M310-L |
| CRANKSET |
SAMOX SAC38731SS, 36-22T |
| CASSETTE |
SHIMANO CS-HG200-8, 12-32T |
| CHAIN |
KMC Z8.3 |
| FRONT DERAILLEUR |
SHIMANO FD-M315-TS, TOP SWING, DUAL-PULL |
| ROTOR FRONT |
SHIMANO SM-RT10, 160mm |
| BRAKE FRONT |
Clarks CLOUT1, hydraulic disc brake |
| BRAKE REAR |
Clarks CLOUT1, hydraulic disc brake |
| ROTOR REAR |
SHIMANO SM-RT10, 160mm |
| RIM FRONT |
Stars J20S, 32H |
| HUB FRONT |
SHIMANO HB-TX505, 32H, CENTER LOCK, QR Type |
| TIRE FRONT |
WTB Ranger Comp, 27.5×2.00 |
| RIM REAR |
Stars J20S, 32H |
| HUB REAR |
SHIMANO FH-TX505-8, 32H, CENTER LOCK, M10x135mm, QR Type |
| TIRE REAR |
WTB Ranger Comp, 27.5×2.00 |
| SPOKES |
Sapim Galvanized Black |
| HANDLEBAR |
ONE1 Alloy, MTB AL-325BT, 6° upsweep, 9° backsweep, 25mm rise, 660mm, 31.8mm |
| GRIPS |
VELO |
| STEM |
ONE1 TDS-C342 Alloy, 31.8mm, +3° |
| SADDLE |
ONE1 Catherine |
| SEATPOST |
ONE1 Alloy, SP C207, 30.9mm |
| PEDALS |
Aluminium Caged with reflector |
| BB DROP (mm) |
41 |
| SEAT TUBE LENGTH (mm) |
381 |
| EFFECTIVE TOP TUBE LENGTH (mm) |
560 |
| STACK HEIGHT (mm) |
586 |
| REACH (mm) |
384 |
| SEAT TUBE ANGLE |
73,5 |
| HEAD TUBE ANGLE |
69 |
| REAR CENTER (mm) |
427 |
| HEAD TUBE LENGTH (mm) |
110 |
| WHEELBASE (mm) |
1061 |
| STEM (mm) |
45 |
| HANDLEBAR (mm) |
660/R25 |
| CRANKSET (mm) |
170 |
| Seatpost (mm) |
350 |
Recenzie
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